WILLIAM STONE
Works and lives in NYC
Solo Exhibitions
2014 Based on Base, John Davis Gallery,
Hudson, NY 2011
Framed, James Fuentes Gallery,
New York, NY 2009 WARES, James Fuentes Gallery, New York 2007 Let's
Subtle Down Together, James Fuentes
Gallery, New York, NY 2004
Plural Nouns and Viscious Circles, Art Moving Gallery, Brooklyn, NY 2000
Mind Your Head, James Fuentes Gallery,
New York, NY 1999 Musings and Ruminations, Emily Harvey
Gallery, New York, NY 1998 Chair Repair in the Former Superintendent's
Apartment, Thatcher, New York, NY 1991 Diverse Works, Houston, TX 1990 Tom
Cugliani Gallery, New York, NY 1989 Tom
Cugliani Gallery, New York, NY 1988 Tom
Cugliani Gallery, New York, NY Hillman
Holland Gallery, Atlanta, GA 1987 The
Clocktower, P.S. One Museum, New York, NY 1984 Emily
Harvey Gallery, New York, NY
Selected Group Exhibitions 2015 12th Havana Biennial, 2015, Bustamante Studio, Havana, Cuba 2014
The Body Metonymic, curated by
Stephen Goody and Monica Bowman,
Oakland University Art Gallery, Detroit, MI
Friends of Thomas, Gallery Lok, New York, NY 2013
Extravagant Features, curated by
Clarissa Dalrymple, C24 Gallery New York, NY 2012
Inaugural Group Show, CR10, Hudson,
NY Nada Hudson, with James Fuentes Gallery, Hudson, NY Furniture, Invisible Exports, New York,
NY Potential Fields, curated by Francine McGivern,
Clermont State Historic Site, NY Something About a Tree, curated by Linda
Yablonsky, Flagg Art Foundation, NY
Heavy Equipment, curated by Francine McGivern, CR10 Livingston, NY 2010
cinema { } poesis,
curated by L. Brandon Krall, Emily Harvey Foundation, NY 2007 Drawing is a Verb and a Noun, James
Fuentes Gallery, NY
Merit Badge 2, curated by
Jason Middlebrook, Rockland Center for the Arts, NY
Digital Political Time Lapse,
Long Island University, Brooklyn, NY
Wit on Wry, curated by Karen
Shaw Islip art Museum
2006 WORD, curated by L. Brandon Krall,
Deborah Colton Gallery, Houston, TX
2005 Summer
goup show, Postmasters
Gallery, New York, NY
Group show, Archivo Emily Harvey, Venice, Italy
2004 Yesterday Begins Tomorrow, Deste Foundation, Athens, Greece
2003 Site
Specifics '03, installation Islip Art Museum,
Islip, NY
Territories, Denise Markonish curator Artspace New Haven, CT
and Gallery Fur Landschaftkunst,
Hamburg, Germany
2000
The
Notion of Motion, Islip Art Museum, Karen Shaw curator,
Islip NY
LIT. FIG. Work from Words,
The Space @ Media Triangle, New York, NY
Installation, Pratt College Sculpture
Park, New York, NY
2001 Hydro, Marcel Sitcoske Gallery, Erin
Parish, curator, San Francisco, CA
Between Sound and Vision,
curated by Hannah Higgins, Gallery 400, University of
Illinois at Chicago, IL
2001
To
the Flag: Taking Liberties, Three Rivers Arts Festival Gallery,
Kimberly
Marrero, curator, Pittsburgh, PA
Recovery Drum, installation, Pratt
Sculpture Park, New York, NY
2002 Location, Location Location,
installation - Postmasters Gallery, New York, NY
Inaugural exhibition, Archivo Emily Harvey, Venice, Italy
1999 Forces of Nature in Contemporary Art,
Hudson River Museum, Yonkers, NY
All Day I Hear the Noise of Many Waters
Making Moan, Postmasters Gallery, New
York, NY
1998 Group Show, Emily Harvey‑Lance
Fung Galleries, New York, NY
1996 Funhouse,
E.S. Vandam Gallery, New York, NY
1995 Synesthesia, San Antonio Museum of
Contemporary Art, San Antonio, TX
Clocks, TZ Art, New York, NY
Three Group Shows, Mad River Post, Erin
Parish, curator, New York, NY
1993 Flux Attitude, The New Museum, New York, NY
1994
Old
Glory, Cleveland Center for Contemporary Art, David
Rubin, curator, Cleveland, OH
1995
Group
Show, Lok Gallery, New York, NY
1996
10
x 10, TZ Art, New York, NY
1992 Comfort, Christopher Grimes Gallery,
Santa Monica, CA
1991 The Technological Muse, The Katonah
Museum of Art, Katonah, NY
Better Homes and Monuments, Memorial
Arch, Grand Army Plaza, Brooklyn, NY
1989
Artificial
Nature, curator Jeffrey Deitch, The House of Cyprus,
Deste
Foundation, Athens, Greece
Fluxus Group Show, Emily Harvey Gallery,
New York, NY
All Quiet on the Western Front, Gallerie
Antoine Candou, Paris, France
1989
Clockwork,
List Center for Visual Arts, Massachusetts Institute of Technology,
Cambridge,
MA
The Drowned World, P.S. 1 Museum,
Queens, NY
Homemade, The Nature of the Object, Bard
College, Annandale-on-Hudson, NY
PB: Works on Lead, Nora Haime Gallery,
New York, NY
Strange Attractors: the Spectacle of Chaos,
curated by Klaus Ottmann, 1140 N.
Dayton, Chicago, IL
Temperance, David Beitzel Gallery, New
York, NY
Fluxus and Company, Emily Harvey
Gallery, New York, NY
New Aqcuisitions, Progressive
Corporation, Dayton, OH
1988 Fatal Strategies, Stephan Stux Gallery,
curated by Klaus Ottmann and Leslie
Tonkonow, New York, NY
Redefining the Object,
curator Barry Rosenberg, University Art Gallery, Wright State
University and Cleveland
Center of Contemporary Art, Cleveland, OH
Interaction, Aldrich Contemporary Art Museum,
Ridgefield, CT
Complexity and Contradiction, curator Klaus
Ottmann, Zilka Gallery, NY Wesleyan University, Middletown, CT
Group
Show, Tom Cugliani Gallery, New York, NY
Motorized
Sculpture, curated by David Rubin, Freedman Gallery, Albright College, PA
1987
Art that Moves, Laguana Gloria Art
Museum, Austin, TX
Inaugural Show, Tom Cugliani Gallery,
New York, NY
The Multiple Object, Bank of Boston
Gallery, curated by Marjorie Jacobson and
Judith Fox, Boston, MA
1984 Mechanisms,
P.S.1 Museum, curated by Tom Finklepearl, Queens, NY
Books
and Catalogs
The Body Metonymic,
curated by Stephen Goody and Monica Bowman, Oakland University Art
Gallery, Detroit, MI
NEW ART,
Harry N. Abrams, Inc., NY
Fatal
Strategies, Tonkonow, Leslie and Ottman, Klaus, Stephan Stux
Gallery, January 1988
The
Multiple Object, curated by Marjorie Fox Jacobson and Judith Hoos,
Bank of Boston,
March 1988
Redefining
the Object, Art Galleries, Wright State University, curated by
Barry A. Rosenberg, essay by Dan Cameron
Interaction: Light, Sound, Motion,
Aldrich Museum, Miranda McClintic, essay
Strange Attractors: the Spectacle of Chaos,
1140 N. Dayton, Klaus Ottmann, curator
Artificial Nature,
The House of Cyprus, Jeffrey Deitch curator, Deste Foundation, Athens, Greece
Old Glory,
curator David Rubin, Cleveland Center for Contemporary Art, Ohio
Synesthesia,
San Antonio Museum of Contemporary Art, San Antonio, TX
Articles and Reviews
Deitch, Jeffrey The Bad Light Photography Show at Strap,
Art in America, March 1980
Brenson, Michael 12 Artists Shown in ÒUnknownÓ at P.S. 1,
The New York Times,
26
October 1984
Preddy, Jane New Spaces, Cover Magazine, April
1988
Mahoney, Robert Fatal Strategies, Arts Magazine,
May 1988
Raynot, Vivien Works by the New and the Eccentric, The
New York Times, 22 May 1988
Ottman, Klaus Review,
Flash Art, Summer 1988
Morgan, Robert C. Anti-Style, or the Installation as a
Pleasurable Text, Arts, Summer 1988
Ottman, Klaus Review,
Flash Art, Supper 1988
Russel,
John Provocative Exhibitions at Museums and
Galleries that are near New York City, The New York Times, 14 August
1988
Zimmer,
William Kinetic Sculpture's Abstract Techniques,
The New York Times, Aug.1988
Mahoney, Robert William Stone, Arts, Summer 1988
Morgan, Robert C. Fatal Strategies: Exhibition Review, CEPA
Quarterly, Spring 1988
Ben, Tsipi Interaction: Light, Sound, Motion, Sculpture,
January/February 1989
Princenthal, Nancy Vik Muniz at Stux, William Stone, Tom
Cugliani, Art In America, April 1988
Schwendenwien, Jude William
Stone: Tom Cugliani Gallery, Artforum, March 1989
Faust, Gretchen William Stone: Tom Cugliani Gallery, NIKE,
March/April 1989
Brenson, Michael The Drowned World, The New York Times,
16 June 1989
Brenson, Michael Review,
The New York Times, 12 January 1990
Nereim, Anders Who's Muse? The Spectacle of Chaos, Inland
Architect, Jan./Feb. 1990
Faust, Gretchen Review,
Arts, September 1990
Nahas, Dominique Review,
d'Art International, Spring/summer 1999
Liu, Timothy Review,
New Art Examiner, July/August 1999
Morgan, Robert C. Alchemy, World Sculpture News, Summer
2012